Following the collapse of communism in Poland, interest in folk culture and music emerged from the artistic explorations of alternative musicians in the 1990s. At the same time, bands with Slavic musical roots emerged alongside mainstream offerings that combined rock aesthetics with a highland feel. This gave rise to a distinct musical movement that sought to reinterpret the old sound in a new format. It soon became apparent that this new aesthetic was accompanied by a new lifestyle, linked to both an ecocritical attitude, ecology, and a post-colonial rejection of Christian cultural hegemony. Returning to Slavic music became a way of returning to indigenisation. At the same time, this new musical practice entailed a new way of life that is closer to nature and to the ancient Slavic traditions. In this article, I will discuss these religion elements and the moral life of neofolk circles.