[Dall'incipit dell'articolo]

In In the first poem of the cycle ``Poety'' (1923), Cvetaeva's redefinition of the poetic role implies a perturbation of traditional cosmological models and a polemic perversion of the axes of cognitive perception. The rejection of Kantian and Platonic Logos, subverted by the demiurgic power of poetic logos, points to the ontological interdependence of textual (word) and extratextual (world) reality, whose ordering mechanisms rely on the dynamics of creative production.